CADENCE | THE PATH | MEASURE
2023/26
Dual-screen video, GPS and biometric overlays, DMX lighting, sound
Movement / Rhythm / Endurance / Biometric Data / Landscape / Perception
CADENCE | The Path
The Path exhibited at Torrance Art Museum, Los Angeles
Cadence / The Path brings together moving image, biometric data, running, rhythm and landscape.
The works developed from a practice of recording the body in motion: running through fog, weather, fatigue and unstable terrain while gathering GPS traces, heart-rate data, sound and image. Rather than treating this data as measurement alone, the work uses it as a way of making bodily experience visible and spatial.
In The Path, a mountain run becomes a moving image work layered with GPS and biometric overlays. The body is seen navigating mist, gradient and exhaustion, while the screen becomes a record of effort, orientation and drift.
Cadence expands this material into an audio-visual installation, using dual-screen video, light and sound to translate rhythm, pressure and attention into an immersive environment. The work sits between documentation, performance and interface: a record of movement, but also a system for sensing how the body responds under pressure.
Together, the works explore endurance, perception and the mediated body — asking how technologies of tracking, mapping and feedback shape the way we understand physical experience.
Paul Moore
Cadence / The Path, 2023–2026
Audio-visual installation / moving image / data-led performance
Single-channel video / dual-screen video / GPS data / heart-rate data / sound / DMX lighting / projection / live system tests
Developed through DAS / XR Lab, Belfast
Supported by the Arts Council of Northern Ireland Digital Evolution Award
Cadence presented as part of Measure, DAS, Belfast
The Path presented in Affective Territories, Torrance Art Museum, Los Angeles
Documentation: Paul Moore / Catherine Devlin
Cadence / The Path brings together moving image, running, rhythm, biometric data and landscape.
The works developed from recording the body in motion: running through fog, weather, fatigue and unstable terrain while gathering GPS traces, heart-rate data, sound and video. Rather than using data as evidence or performance tracking, the work treats it as material — a way of translating effort, pressure, attention and disorientation into image, sound and light.
In The Path, a mountain run becomes a moving image work layered with GPS and biometric overlays. The screen holds a record of movement through mist, gradient and exhaustion, where navigation becomes uncertain and the body is pushed between control and drift.
Cadence expands this research into an audio-visual installation using dual-screen video, DMX lighting and sound. Developed through Digital Evolution and DAS / XR Lab, the work explores how rhythm, feedback systems and live technical structures can make bodily experience spatial.
Together, the works sit between documentation, performance and interface, asking how technologies of tracking, mapping and measurement shape the way we understand physical experience.